You never exalt dross above gold
In my last
article Music and Black Americans: The Innocent Avenue To The Pathway Of
Destruction Part 2, I posed the question as to why anyone would deliberately
destroy and degrade Black music? Why would some people exalt dross above gold? The
simple answer is that the gifts and calling of God are without repentance
(Romans 11:29) and also, what is your strength can also be your weakness. Judah means to “praise” and Judah was the leader
of the tribes of Israel and if you read the book of Jasher he was also more bellicose. This was the tribe where King David who was a
warrior and musician hailed and the tribe of Jesus’ ancestry. I think it explains in many respects the natural
music ability of Black Americans and their penchant for aggression and
fighting. Thus, the anointing Black Americans have as the praisers of God can be used for good or bad. Black Americans who have the
gift of music have been foundational in all the music genres of American society
such as, gospel, jazz, blues, rock and roll, rhythm and blues, and my least
favorite hiphop/rap. Our influence in
these genres have had world-wide appeal even the least inspirational and
degraded rap genre, so when Satan’s little helpers were looking for a way to further
disintegrate the Black community, they needed to look no further than
music. Their vehicle of choice for this
disintegration was Rap.
Before continuing with this
examination of music, I want to define dross.
Dross per Webster dictionary is an unwanted material that is removed
from a mineral such as gold to make it better.
It is something of low value or quality, waste or foreign matter:
impurity; something that is base, trivial or inferior. When gangster Rap was foisted upon the Black
youth of America it was clear that someone was exalting dross above gold. The gold that was the music of previous
generations of Black musicians was being shoved aside and replaced with the dross
of a music genre that glorified criminality, beefs with other rappers, money,
materialism, superficial sexuality, misogyny and all things that represent the
kingdom of darkness. It is the equivalent of giving someone like Charles Manson or Jefferey Dahmer a platform to spew whatever sickness is in their heart to the masses. People who can only rap about sex, money, hating women and killing other people don't need a platform in which to urinate their sickness upon other people. What they need is either salvation or a psychiatric help.
It is said the thief comes only to steal, kill and destroy
(John 10:10) and the messages that the rap world along with their videos
communicate to Black youth is that life is about money, drugs, women, being
respected and getting killed over trivial matters. And how does Satan reward
people who push his kingdom? He gives
them movie deals and tv careers. For
example, Ice-T. He was a rapper who came out with an album called Body Count
and a song Cop Killer which at the time caused a measured degree of
controversy. Whatever happened with the
album and song, at the end of the day he was later awarded with an acting gig
on Law and Order in which he is not a particularly good actor. This happened for Tupac as well, who of all the
rappers of that era appeared less shallow about the life he claimed to
represent and whose rap style I actually liked.
He seemed to even prophetically pen in his rap “Keep Ya Head Up”, I think it's time to kill for our women time to heal our women, be real to
our women And if we don't we'll have a race of babies that will hate the
ladies, that make the babies.
In his article The Music Industry
Hates Black People on RapRehab.com, Sebastien Elkouby eloquently joins me as a
fellow conspirator when he writes, “While watching the video for “Hot N****” by Epic Records’ newest artist
Bobby Shmurda, I could hear a voice in my head repeatedly cry out,
“the music industry hates Black people.” (I think Mr. Elkouby that could have
been the voice of God.) Out of countless amazingly talented unsigned
artists waiting for their big break, why would a record company sign yet
another half-ass artist whose message is all about death, murder, guns,
and more death? It couldn’t possibly be about all the money they project
making off this Youtube one-hit wonder since the past couple of years have
shown us that viral video stars like Trinidad James and Chief Keef don’t
necessarily translate to real-world superstardom. “
Well, Mr . Elkouby needed to look no further than the
voice in his head which answered his following questions? Yes, the Music
industry hates Black people or least someone above the music industry
hirelings. It does not take a rocket
scientist to observe that no other minority group is targeted for destruction
as Black Americans are. As Mr. Elkouby
noted, you don’t see this in other forms of music such as, pop, rock, country, Tejano,
Asian music and whatever other music racial minorities listen to. Why is that?
In
another article The Secret Meeting That
Changed Rap Music and Destroyed A Generation on Don’t Panic Online, the authors publish an anonymous email
whereby a former music industry “decision maker” of the late 80’s and early 90’s
details how he was invited to a meeting whereby some shady characters told him
and some others of a plan to use rap music to fill private prisons of which
their companies were invested. Specifically he writes, “Our
job would be to help ,make this happen by marketing music which promotes
criminal behavior, rap being the music of choice. He assured us that this would
be a great situation for us because rap music was becoming an increasingly
profitable market for our companies, and as employees, we’d also be able to buy
personal stocks in these prisons.” When
the meeting doesn’t go as planned the emailer, questioned a fellow colleague as
to why he would be involved in such corruption? The colleague responded, “that it was bigger than the music business
and nothing we’d want to challenge without risking consequences.” Whether this email is authentic or not, the
last statement by the colleague, “ that it was bigger than the music business.”
is correct nonetheless and answers the question I posed above as to the
differential treatment of Black music as opposed to other racial groups in this
country.
Black
Americans are seemingly by nature spiritual people. You could never outright get a Black American
to openly be a worshiper of Satan. It is the reason heavy metal rock music
which had Satanic overtones back in the day would never appeal to Black
people. The most profane Black musician at
the end of the day would often most enigmatically find a way to thank “God” for
his success. Therefore, when Rap came
along it was the perfect vehicle in which to promote a Satanic agenda without
any reference to Satan and the results have been spectacular. What could never have be accomplished with
the beautiful sounds of RandB groups such as the O’jays , Temptations, Four
Tops, the Commodores, and many others could now be done with gangster rap with
the sacrifice being Black females who would one day make a race of babies that
will hate the ladies who make the babies.
You would never get out of Ice-T, Jayz, Ice Cube, Dr. Dre, and now Lil
Waynes, Young Thug, Rick Ross or any other such artist a beautiful song like
Three Times A Lady, by Lionel Richie who it is said at one time wanted to be an
Episcopalian priest. You would never get out of Lil Kim, Foxxy Brown and now
female rappers such as Micki Minaj, a beautiful song such as The First Time I
Ever Saw Your Face, by Roberta Flack or a perfectly inflected relationship song
such as Neither One Of Us by Gladys Knight and the Pips. I do not believe that previous generations of
Black musicians were necessarily more talented than Generation X and their
offspring. It is just obvious the music
industry as illustrated above no longer wanted songs that very often came from
people who came out of a church background and thus took on people who were
either not as talented or who they could mold and persuade to be superficial
artist.
You never exalt dross above gold
and no other racial/ethnic community would do so, but when you do not know the
ways of the devil and you have no true watchmen in your community, as the snake
he is likened to, the devil slithers on in and tells you, “You will not surely
die.” Only, you find out later that you will indeed die. Thus, the reason other
racial minorities and their music are not targeted for degradation with the
notion to keep promoting dysfunctional behavior that leads to continual
societal backwardness and prison incarceration is because the Principalities
and Powers do not care about any of those people as they do not contain among
them people who can conclude the age and fulfill the time of the gentiles. So, yes the quest to destroy Black Americans
is bigger than the music industry. It is
downright cosmic in its scope.
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